1)
Outlaw by Watain from The
Wild Hunt
The
video for Outlaw must
have been a stressful one for everyone involved with Watain. The band
has been together for about fifteen years and never released a music
video, unless you count their DVD, Opus Diaboli,
which I don't, so there must have been immense
pressure for Outlaw to
be above and beyond. Outlaw
has got to be my favourite track from
The Wild Hunt
because of the tribal and animalistic nature that seems to leap from
the speakers
and drag you back to it's
lair. The music video managed to embody all that wildness
fantastically. I love the ”vintage” asthetic of it, which may be
interpreted as trying to stay trve by having it be shit quality. They
were successfully able to piece together vingettes of all kinds of
footage like insane asylum patients, animals parts, other blood and
gore, nuns doing drugs, a lady who looks like she is committing
suicide by sticking her head in an oven, and a band performance. And
to add to the interesting vignettes, the fast pace of the song was
matched by the transitions of the vingettes and was able to keep my
interest. They even managed to make the band
performance interesting by keeping it pretty
primal. I haven't seen Watain live, but Outlaw
definitely gives me a taste of what I could expect; fire, dirt, and
blood. I really liked how the band was involved in the vignettes
without it seeming like it was just an awkward moment of acting;
sometimes they were on motorcycles, sometimes they were creepin' on
those insane asylum people, sometimes they were being very Crust Punk
by tattooing some poor soul in a disease filled room where I would
not be surprised to find GG Allin in a corner covered in his own
blood and shit. It's creepy, dirty, and wild. It's perfect.
2)
Dead City Radio and the New Gods
of Supertown by
Rob Zombie from Venomous Rat
Regeneration Vendor
Dead
City Radio
is a boot-scootin' booty shakin' kind of song for me and its video
makes me love the song even more. I do a bit of an eye roll when
bands do videos in black and white because it makes me feel like they
are trying to be too artistic, but I think when it comes to Rob
Zombie, and this music video, I'll let it slide. This video is
incredibly random but it works for the song and the video doesn't try
to do anything else but be a performance piece. I could have done
without Sheri Moon Zombie being in it because she is to Rob Zombie
what Johnny Depp is to Tim Burton, but I didn't hate her performance
and she is still pretty badass in it. It's still got that sassy Rob
Zombie feel to it; it's
fun and groovy and that's all that matters.
3)
Blow
Your Trumpets Gabriel
by Behemoth from The
Satanist
Blow
Your Trumpets Gabriel is
one of those videos that surpasses the song. For me, the song is a
tiny
bit borning, but the video made up for that and makes me way
more excited for Behemoth's return. The video is chalk full of
gorgeous imagery and symbolism that I haven't quite absorbed/grasped
from just a few viewings and my limited knowledge of such things.
It's in black and white as well, and I'll let it slide even more than
Dead
City Radio
because this video is damn artistic, in a way that doesn't try to
talk down to its viewer. I think that this video is a great trailer
for what we can expect from The
Satanist,
which will be released in February, and shows how Behemoth is ready
to live up to their name.
4)
Häxbrygd
by
Finntroll from Blodsvept
Finntroll
delivered some Mad Max-esque trollness with Häxbrygd.
It's
nice to see a band that would otherwise get pushed into doing yet
another video full of folky aesthetics do something totally
different, but still keep some of their roots in there, like the
addition of some floppy troll ears and keeping their stage makeup.
For me, the end of the video where the band finishes pimpin' their
ride and proceeds to ride around town is very similar to the video
for Dragula
by Rob Zombie, but, I dig it. I could do without the addition of the
double bass because I think it is really over done in a lot of music
videos. However, drummer Beast Dominator's incredibly sassy moment of
giving the camera the finger and the addition of a creeptastic scene
with Trollhorn playing the hell out of an accordion tips over the
scale for this being an awesome video.
Honourable
mention – In
the Navy by
Alestorm from Live
at the End of the World
This
is an honourable mention because technically
it's labeled officially on Youtube as a teaser for their live
DVD/album, Live
at the End of the World. From
a band that labels itself as ”bacon powered pirate core”, I don't
expect any less than them finally covering this musical masterpiece
and while I'm not a huge fan of live videos, this one is pretty fun.
I like that they've utilized GoPro technology in this because it sort
of update to the age old live music video. The ”back stage”
footage you see is decent cause it's not just a bunch of musicians
off their tits all the time nor is it just about how boring touring
can be; they managed to get a good mix of the two with some nice
footage of Australia.
I've
missed them playing in Toronto everytime, either I wasn't into them
or I was not in the country, and them appear to have played in
Finland once. But, I know from reliable sources that what you see in
this video is basically what you get; lots of drinking, primarily by
frontman Christopher Bowes whilst playing the Segway of instruments,
the keytar, pirates, and kangaroos. Although, I don't think kangaroos
are all that prominent, but they should be. All silliness aside, the
video is a great teaser/trailer/whatever you want to call it for Live
at the End of the World
and if I wasn't a skint student, I'd definitely buy it.
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